Further evidence of the chaos into which this ambitious project's post-production had been allowed to sink.
Here's an interesting link
to a page on RKO's website that includes stills from some of its most noted films. Curiously, the sample frame from Ambersons
is in colour, taken, I presume, from a version that received a Ted Turner makeover sometime in the 80's(?) or 90's(?).
I know I should simply dismiss such a thing on aesthetic grounds, but, apart from its blurriness, the shot does have some appeal. Has anyone seen the whole film in colour and, if so, what was the experience like?