by Glenn Anders » Wed May 21, 2008 3:28 am
It is also interesting, Todd, that while the Mercury PR Unit was always building up the star qualities of Orson Welles, the man himself paradoxically undercut and deprecated himself by listing his name last in production credits, or mentioning it almost as an afterthought, or emphasizing that he was only one of a talented company of artists.
That latter quality, this family formulation of the Mercury Theater, was one of the most endearing, long-lasting, and apparently authentic (in many cases) surrounding the Mercury experience.
In some sense, it must have been damaging to Welles, to have to leave all of that behind when he went to Europe under the on-coming shadow of McCarthyism in the latter years of the 1940's.
Glenn