stories from orson's childhood

Welles' friends and family, business dealings, beliefs, etc.

Postby maxrael » Wed Oct 01, 2003 11:54 am

The following brief stories were told by Oja Kodar during the Q&A session after the screening of Orson Welles: Unfinished Work last night at The National Film Theatre (UK)

She was a wonderful speaker and i could happily have sat there listening to her talk for hours.

Please bear in mind though that whilst i've recreated the stories as accurately as my memory allows these are not direct quotes!!



Orson was such a great story-teller… When he was a little boy a stream of famous people and exciting characters would come to visit his mother and they would sit round a table telling their stories, and Orson was allowed to sit at the table, and even Orson was allowed to talk. But his mother always warned him beforehand “if you are going to talk, make sure it’s interesting!”
And Orson was always so interesting!


Another story concerning Orson’s childhood was about one particular piano lesson. Orson was bored of the lesson and wanted to stop, but the teacher insisted they continue. Orson being young and not really understanding all about death climbed out of the window onto the ledge and threatened to jump unless the lesson was ended!
The piano teacher went rushing to Orson’s mother saying, Mrs Welles, Orson is going to jump out of the window rather than continue with his lesson.
His mother replied, “Well if he really wants to jump out of the window, then let him!”
A few moments later Orson could be heard back at the piano continuing his lesson!


It was his eighth birthday and he went in to see his mother. The room was very dark because she was so very ill, and in the room there was a cake with eight candles. She told Orson that there’d be a lot of birthday’s in his life and a lot of cakes… but this was the only day he’d have one with eight candles on. She said, blow them out and make a wish.
Orson blew the candles out and the room was plunged back into darkness… it was the last time he ever saw his mother’s face.
Years later he said, “I’ve made a lot of mistakes in my life, but one regret that bothers me to this day, is that I never made that wish.”
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Postby Glenn Anders » Wed Oct 01, 2003 3:53 pm

Dear Max: None of these stories is particularly new, but it must have been wonderful to hear someone who actually knew Welles intimately tell them.

And you convey them very well.

Thank you.

Will there be more revelations about his films in this London series, do you think?

Glenn
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Postby 71-1045893605 » Wed Oct 01, 2003 4:44 pm

Sounds like Oja was rambling on and on again about the same old stories she's been telling for years (from the 1980's til now). A new revelation about Welles would be far more interesting and entertaining.

GA
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Postby Peter Tonguette » Wed Oct 01, 2003 10:07 pm

Thanks, Max. Oja is indeed a wonderful storyteller and very graceful speaker. An absolute high point of my research of "The Dreamers" was hearing her tell some stories about the production, especially the one about the firefighters!

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Postby fantomas » Wed Oct 01, 2003 10:07 pm

GA:

What do you expect from Oja? Should she invent new stories? Why are you blaming her for "hibernation" and not caring for Welles' films?

It was very touching when she told the stories, you could see that she was really moved. And she cares quite well for the Welles films, being present in all the German Welles conferences and in all the big Welles retrospectives of the European Cinematheques. You also can see her in documentaries like ORSON WELLES: THE ONE MAN BAND and ORSON WELLES IN THE LAND OF DON QUICHOTTE, always defending Welles and trying to settle the problems with THE OTHER SIDE OF THE WIND. All the Munich restoration are done in close collaboration with her (as you can read in the credits of these films) - an amazing work (and, as Stefan Droessler pointed out in the talk between the London screenings, the BFI programs only a selection of the Munich restorations).

When you want to have more relevations then you should try to read the new book of Peter Conrad who is trying to get some new insights - with very poor result.
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Postby Christopher » Tue Oct 07, 2003 8:41 pm

The stories Welles told Oja Kodar and others about his childhood are charming, but it is not likely they are true. He was a master of invention and confabulation, especially where his early life was concerned. Also, as both his parents were dead by the time he was sixteen, and his older brother had been institutionalized, there was no one in his immediate family to contradict his stories.
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Postby maxrael » Thu Oct 09, 2003 6:11 am

But, Christopher, if there's no way of proving whether the stories are true or not... does it really matter?
It becomes our subjective choice to either believe or disbelieve as we see fit!

Either way, they're good stories! (IMHO)

max!
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Postby maxrael » Thu Oct 09, 2003 6:31 am

Glenn wrote:
Will there be more revelations about his films in this London series, do you think?


Alas Oja and Stefan were only speaking on that Monday, when i saw the Unfinished works presentation and the first Orson Welles & TV programme, and the preceding Sunday when they presented with The Immortal Story and The Dreamers fragments, which i stupidly manage to miss!
...i blame the nft website!!
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Postby Christopher » Thu Oct 09, 2003 5:38 pm

Max, you are right. As long as people realize Orson Welles was a great confabulator, they are free to enjoy his stories, whether or not they are entirely true.
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