ME AND ORSON WELLES ranked Number One on the list of Wellesnet’s “Ten Best Films” for 2009

1. Me and Orson Welles — Richard Linklater Christian McKay’s performance as Orson Welles highlights this fictionalized, but still highly accurate account of the staging of Welles’s 1937 production of Julius Caesar. An absolute must see for anyone with the slightest interest in Welles or acting and the theatre. 2. Inglourious Basterds — Quentin Tarantino […]

On Staging Shakespeare and on Shakespeare’s Stage by Orson Welles

As Me and Orson Welles expands this week to theatres across America, one of the primary audiences who may be especially interested in seeing the film and talking about it will be teachers and their students. Therefore, here is a short excerpt from Orson Welles chapter taken from Everybody’s Shakespeare, the book he wrote in […]

Andrew Sarris vs. The New York Times: a defense of Orson Welles’s FALSTAFF

Back in March of 1967, when Falstaff was first released in New York, it was a time of great social upheaval in America. Protests against the war in Viet Nam were about to reach critical mass. LSD made the cover of Life Magazine. Hippies and flower children were preparing for the “Summer of Love” in […]

Walter Kerr on “Wonder Boy” Orson Welles

A few months ago I found several old issues of Theatre Arts magazine in the tenderloin district of San Francisco, a few short blocks from where Wellesnet “legend” Glenn Anders lives. The mags were priced at a big 100% mark-up over their original price. Well, since the original price was only .50 cents, they were […]

The Secret Sharers: Orson Welles and Joseph Conrad – a fifty year love affair

Heart of Darkness is a story we came to Hollywood to make a movie of—we never did and maybe someday we will—but I think it’s particularly well suited to radio. Here it is, one of the best regarded and most typical of the works of Joseph Conrad. The Heart of Darkness could be described as […]