Rick Schmidlin on the re-editing and restoration of Orson Welles’s noir masterpiece TOUCH OF EVIL

An Interview with RICK SCHMIDLIN The re-edit producer of ORSON WELLES’ masterpiece TOUCH OF EVIL ************************************************************************** The following interview with Rick Schmidlin took place shortly after the re-edited version of the film debuted in 1998. Since that time I’ve not spoken with Rick, although I was quite happy that he posted many comments about his […]

Universal delivers Orson Welles noir masterpiece TOUCH OF EVIL in three versions

Vargas: You framed that boy, Captain. Framed him! _____________________________________________________ Firstly, Universal Home Entertainment must be greatly commended for finally releasing all three versions of Orson Welles’s Touch of Evil on DVD. This is, in itself, a rather historic milestone and one which Criterion helped paved the way for, with it’s own groundbreaking three-disc set for […]

Producer Albert Zugsmith on making TOUCH OF EVIL with Orson Welles

Orson is primarily an artist — a great one. —Albert Zugsmith ****************************************** One of the great unsung heroes behind the making of Touch of Evil has to be Universal staff producer Albert Zugsmith. As can be seen in Zugsmith’s comments below, he and Welles had a wonderful working relationship on the two pictures they made […]

Orson Welles’s screenplay for TOUCH OF EVIL: The final scene!

Now that we can compare all three versions of Orson Welles’s Touch of Evil on DVD, here are the last twelve pages from Welles’s original script, so we can see just how much Welles concept evolved during the actual shooting of the film. This script includes Welles changes up until February 16, 1957, two days […]

Mercedes McCambridge on Orson Welles’s TOUCH OF EVIL

To introduce Mercedes McCambridge’s comments about her one day of work with Orson Welles on Touch of Evil, I think it’s interesting to note that although she had won an Academy Award, she was not deemed worthy enough by Universal to be listed alongside Marlene Dietrich and and Zsa Zsa Gabor as one of the […]

Marlene Dietrich on Orson Welles’s TOUCH OF EVIL and the Oscars

As Marlene Dietrich reports in her autobiography, MARLENE, the Academy Awards have had a long history of embarrassing mistakes. A prime example of this occurred in 1933, when a movie called CALVACADE won best picture. Does any movie goer alive actually remember this forgotten film? That same year a little picture called KING KONG received […]

Orson Welles’ TOUCH OF EVIL – 50th Anniversary Edition

Universal Home Entertainment has released an official press release containing some additional details about the features that will be on their two-disc set of TOUCH OF EVIL, due out October 7, 2008. Charlton Heston on TOUCH OF EVIL: We finished shooting on TOUCH OF EVIL down on the canals in Venice, California, after we had […]

Orson Welles’s TOUCH OF EVIL to receive a special edition at last!

On the odd chance you haven’t already seen the news elsewhere, Universal finally announced the rumored Touch of Evil special edition DVD, one that will include all three versions of the film, namely the preview version, the release version, and the 1998 “memo restoration” version. As per the Universal press release, the set will include: […]

Orson Welles on the use of Wide Screen processes

Given the ongoing controversy over how Touch of Evil should be exhibited – at 1.85 or 1.33 – here are Orson Welles own thoughts about filming in CinemaScope, VistaVision and other wide screen film processes, as published in the 1958 International Film Annual, No. 2 edited by William Whitebait. Strangely enough, the book was published […]