H.G. Wells, Orson Welles subject of Chicago play
“Wells and Welles” will be directed by Amber Mandley, who recently earned critical acclaim for her direction of “Shakespeare’s R&J,” which was performed with an all-female cast at PrideArts.
“Wells and Welles” will be directed by Amber Mandley, who recently earned critical acclaim for her direction of “Shakespeare’s R&J,” which was performed with an all-female cast at PrideArts.
Following a poorly received “King Lear” at City Center in New York, Orson Welles journeyed to Las Vegas for a three-week run at the Riviera Hotel, where he was paid $45,000.
Footage of the dress rehearsal of Orson Welles and Roger “Skipper” Hill’s award-winning production of Shakespeare’s “Twelfth Night” at the Todd School for Boys in 1933.
The upcoming performances of “Orson’s Shadow” mark the first time Austin Pendleton has directed his play.
Submissions for the Legacy Theatre Independent Film Festival will be accepted through July 8, and those selected for the fest will be notified by August 30.
“Orson Welles Presents: An Evening with Nixon” is the first-ever production of Oracular Studios – Madison, Wisconsin’s newest arts collective.
Based on the Graham Greene’s written story and Carol Reed film, the production features music by George Fenton, a book by Christopher Hampton, and lyrics by Don Black.
This year marks the 10th anniversary of the world premiere of the “Too Much Johnson” silent film footage, which was shot by Orson Welles in 1938 for inclusion in a failed Mercury Theatre stage production and presumed lost.
Current plans call for “Obediently Yours” to run from late May through early June at the Serrate Verde Festival in the Georgian capital.
Since its debut, the AboutFACE production has been hailed as “delightful ” by the Sunday Independent, praised as “an absorbing success” in the Business Post and called an “absolute joy to watch” by The Arts Review.
Available briefly in France in 1952, filmmaker Gianfranco Giagni has brought Orson Welles’ satirical “The Unthinking Lobster” to readers in Italy as “Miracolo a Hollywood.”
With friend Joe Cotten along for the train ride, Orson Welles spoke at Springfield Municipal Auditorium in January 1939 about the future of theater.