Mauro Bonanni, worked with Orson Welles on ‘Don Quixote,’ dies at 73
For more than 40 years, film editor Mauro Bonanni had been in possession of some 65,000 feet, or more than 12 hours, of the “Don Quixote” negative.
For more than 40 years, film editor Mauro Bonanni had been in possession of some 65,000 feet, or more than 12 hours, of the “Don Quixote” negative.
Fifty years after Orson Welles finished shooting “Don Quixote” and 30 years since the release of the Jesus Franco cut, Welles’ vision of Cervantes’ knight errant remains out of reach.
A planned production of Adapting Don Quixote is being billed as the world’s first “supercut-opera,” as it will take previous adaptations — from theater, opera, films and song — and build a new work. In a narrative driven by Orson Welles’ attempt to bring Don Quixote to the screen, the audience will experience three completely […]
With decades of legal battles over, the negative for Orson Welles’ Don Quixote is in the hands of Oja Kodar.
The National Cinema Museum in Turin has a collection of Orson Welles papers that span the period from 1960 through 1976.
He was the son of noted Spanish-Mexican director Luis Buñuel.
“Take My Time” from Mark Stoermer, the bassist for The Killers.
The respected film scholar was Welles’ personal assistant on the film.
Chapters on It’s All True and Don Quixote are the result of what Müller describes as intensive research in archives.
The fate of “Don Quixote” remains uncertain.
The Don Quixote workprint will be screened in Paris later this month.
Welles’ youngest daughter fielded online questions.