Robert Carringer, respected Orson Welles scholar, dies at 81
The noted author recently appeared in the Danny Wu documentary “American: An Odyssey to 1947” and was working on a third book about Orson Welles.
The noted author recently appeared in the Danny Wu documentary “American: An Odyssey to 1947” and was working on a third book about Orson Welles.
It has been 37 years since Orson Welles took his final bow, but there was no shortage of appreciations and projects for Wellesians to enjoy in 2022.
Initially, the plan was to premiere “The Lost Print: The Making of Orson Welles’ The Magnificent Ambersons” on TCM this summer to coincide with the film’s 80th anniversary.
Brian Rose was kind enough to not only share some of his work on “The Magnificent Ambersons” with Wellesnet, but to field a few questions about his reconstruction.
In March 1942 — with Orson Welles busy on “It’s All True” in Rio de Janeiro — RKO Radio Pictures conducted previews for his sophomore movie, “The Magnificent Ambersons.”
“The Lost Print” team returned today from Brazil, but plans to head back to South America in early 2022 to resume the quest for the lost, longer cut of “The Magnificent Ambersons.”
In a nearly minute-long video shot at Cinelandia in Rio de Janiero, director Joshua Grossberg introduced a member of “The Lost Print” research team and discussed an upcoming interview.
The team departs on Wednesday, October 13, for Brazil for what is expected to be a four-to-six week hunt and filming. The documentary, “The Lost Print: The Making of Orson Welles’ The Magnificent Ambersons,” is slated to air on Turner Classic Movies in July.
Alec Baldwin and William Friedkin will serve as an executive producer and advisor, respectively on “The Lost Print: The Making of Orson Welles’ The Magnificent Ambersons.”
Two groupings of “Ambersons” reels (14 and 10), as well as 10 reels of “Journey Into Fear,” were shipped to Welles in Brazil so he could edit the film. Filmmaker Josh Grossberg hopes the footage, if it has survived the past 80 years, is in the hands of private collectors.
The Culver City Historical Society discovered some of the elaborate stained glass windows from “The Magnificent Ambersons” mansion set.
An ambitious plan to reconstruct the 132-minute preview version of Orson Welles’ “The Magnificent Ambersons” using animation to replace the cut scenes is underway.