Wellesnet wrote:From a deleted thread, "Tony's Fantastic Radio Bulletins" (2005) by Tony:
"The Immortal Sherlock Holmes" with OW as Sherlock, Ray Collins perfectly cast as Watson, and Barrier, Wilson, Alland, and others.
True! Ray is great - and he benefits from a Watson expanded from the play's version, including more faux-Doyle material. Barrier is slimy as the heavy, and all hands do well, including my late friend Arthur Anderson as Billy.
A very nicely paced show
It is. Unlike some Merc hours, it does not start well and then flag in the stretch. They seemed to do better on this score by plays, than by novels, which need more compression/adaptation.
with a solid story taken from a stage play not by Conan Doyle but by William Gillette
Well...
1. Doyle and Gillette wrote the first draft together. But that one burnt in a fire on Gillette's ship ride home (whether the actor was to blame, has always been a matter for debate...)
2. Even as it stands, it is much taken from Doyle's prose tales, "A Scandal in Bohemia", "The Final Problem" and "A Study in Scarlet."
Unfortunately, Welles yet again employs his high whiny voice for Sherlock, again I think a mistake. Still, his performance is good
Many Holmeses have gone in that direction, including mine. For a character described as high-strung and hawklike, I think it makes sense. (My only problem, is that Orson's Sherl sounds too much like his snooty, Mid-Atlantic Lamont!)
-Craig
P.S. - Of course, we dang near got a Welles-as-Holmes series, instead of the anthology one, in '38!