From letters I was reading this past summer at University of Michigan, that is more than likely. While I didn't find a credit sheet that literally said that Welles directed them, I'm almost positive the Dietrich one was made by Welles. There was a point of contention by the ad agency (Jima Dentsu) over that spot regarding the use of Dietrich's image and its legal use in Japan. I believe Welles brushed off the concerns in a later letter, but I could be wrong about that. I have a picture of Welles' response and forgot to move a business card that is clipped over the date on the letter, so I'm not 100% on the order of events I just listed. I've already plotted my next trip to U of M to figure out that mystery and to look at some more of the new Welles items.Le Chiffre wrote:Anyone else besides me think he may have had a hand in directing the ones for Nikka?
To go even further about Welles directing the spots, if Welles didn't leave the campaign/get dropped from it (I'm not totally clear on that yet), he was going to have nearly full control over the spots. More papers I read over the summer included budget sheets and scripts for many more spots that were going to have demos filmed over the bicentennial celebration in 1976! There are also memos from Welles to the crew of those spots about how they need to get them done over the holiday. I'm pretty sure that the Nikka spot that is in One Man Band featuring Welles and Kodar playing a shell game is one of the 1976 demos films and not an actual commercial that ran. I saw a script similar to that spot with other scripts of demo films.
