Orson Welles as Huey Long

Don Quixote, The Deep, The Dreamers, unfilmed screenplays etc.
Post Reply
JasonH
Member
Posts: 82
Joined: Wed Mar 13, 2024 7:41 pm

Orson Welles as Huey Long

Post by JasonH »

In the AFI write-up of JOURNEY INTO FEAR, it is alleged that an adaptation of Huey Long's Louisiana Hayride: The American Rehearsal for Dictatorship by Harnett T. Kane was a project Welles contemplated directing and starring in during his brief RKO period. I was of course aware of HEART OF DARKNESS and THE SMILER WITH A KNIFE, as well as the bible story Welles hoped to follow up AMBERSONS with, but this is the first I've heard of such a project.

Long is the kind of character who inspires strong opinions, and given his close relationship with FDR, Welles must have had more than a few thoughts on the Louisiana senator, to the point where I'm surprised the subject never seems to have come up in interviews. Seeing him depict Long on-screen would have been something.
Roger Ryan
Wellesnet Legend
Posts: 1121
Joined: Thu Apr 08, 2004 10:09 am

Re: Orson Welles as Huey Long

Post by Roger Ryan »

The Huey Long project certainly sounds like something that would interest Welles, but was he really keen to make another film involving a political figure as a follow-up to Kane?

That AFI write-up also notes that RKO held back Journey into Fear from release after a single tradeshow screening in August 1942. If this is accurate, I'm amazed that print survived to be screened regularly in Europe decades later and even issued on DVD! I had been under the impression that RKO did a limited release before pulling the film from distribution in order to allow Welles to do his re-edit (a limited release would logically increase the chances of a rogue print staying in circulation in additional to the official release of 1943).
JasonH
Member
Posts: 82
Joined: Wed Mar 13, 2024 7:41 pm

Re: Orson Welles as Huey Long

Post by JasonH »

The timeline is a little fuzzy, but it sounds like the Long movie might have been contemplated around the same time as KANE. I agree after KANE it would have felt a little redundant. THE SMILER WITH THE KNIFE would also have run along similar themes, especially given that Welles was planning to relocate the story to America, making the aspiring strong-man a homegrown threat. The idea of an American bigshot with fascist/dictatorial potential seems to have been something Welles was coalescing around for his first movie, and KANE ended up being the material that delivered on it to his satisfaction.
Post Reply

Return to “Unfinished and Unbegun Films”